Gallery

PAUSE

For years, colleagues, friends and family have advised me to slow down. In the workaday world I’ve been encouraged to hurry.  I want neither. Rather I want to live reflectively.  This sculpture is about pausing … depending on how slowly or frenetically we may live. Said another way it is about having a thoughtfulness about ourselves.  I have tried to create a sculpture that invites the passerby to reflect….whatever their 0chosen speed.  I do not want to be didactic beyond that paused moment.

PAUSE

Steel, glass, acrylic paint

60” x 24” x 24″

AGING – I

AGING-I

Powder coated steel, paint, gold leaf

30” x 48” x 12”

In this sculpture I use the unyielding medium of steel to express the utterly vulnerable experience of aging.  

Musical notes have fallen into a blackened pile… a way of visualizing something has died…in this case something that was valued. Five brightened contemporary forms rise from  the jumble. One holds a golden ball.  I am mindful of Jung’s thought that the challenge of aging is that we must adapt to inevitable change.  “We cannot live the afternoon of life guided by the program of life’s morning.”  

I envision this relatively large sculpture resting in an overgrown garden surrounded by foliage both alive and deadened.  My hope is that its shimmer may attract the passerby to linger.

Martin Helldorfer

1936 –

Aging – II

Steel, copper, paint, gold leaf

20” x 25” x 17”

This sculpture began as a musical symbol, a clef, cut from a sheet of 14 gauge steel.  My plan was to use it as part of a larger outdoor garden sculpture.  I jettisoned that plan. Consequently the clef sat for months unused in the corner of my workshop.  After months it found its way to the scrap pile to be sold for pennies on the dollar. 

One morning when I felt blah I took the clef from the pile and wondered what it would look like if I crushed it.  Without a thought or plan I forced it into the jaws of a large industrial vise. The results were disappointing. It was returned to the scrap pile.

John Boyce (sculptor, department chair) walked by, noticed it, and casually remarked, “I like that. You oughta think of doing something with it.”

I did. This is the result. It is a metaphor.  The clef has been crushed yet if you look closely it remains. The piece has a beauty all its own. To return to Jung’s thought,  The need to change is never ending. “We cannot live the afternoon of life guided by the program of life’s morning.” 

Martin Helldorfer

1936 –

A Clunker

A Clunker

I think of a clunker as something that is old, run down; maybe a lemon. A thing that clunks is a dud; better still, a flop. This bell is a clunker. Strike it hard and you’ll hear the sound of a first class clunk. Nudge it carefully and you will hear music.

The reasons for the harsh dull sound are many. One is that the bell was constructed from a discarded aluminum cylinder. There is not a drop of bell-quality bronze in its make up. Neither does the shape of this bell favor a rich sound. There is simply no space to favor resonance.

I’ve made many rich-toned attractive bells. This is not one of them. Yet it is my favorite. I’ve no idea why.

A Clunker

8″w x 8″d x 20″h

Aluminum, steel, painted

Planter/Aviary

Planter/Aviary

Wikipedia reminds us that planters are often round, earth colored pots, usually fashioned from fired unglazed clay. This is a planter that is not. All (except the flowers) are of steel. The base of the planter has a rusted patina; the birds and swirling wind-like structures are a powder-coated vivid black.

Planter/Aviary

Steel, lower section rusted patina; upper section powder coated black

36″ W x 36″D x 77″H

$650 (flowers not included)